CAPE Town’s Baxter Theatre is hosting the 51st Fleur du Cap Theatre Awards from 6pm on Sunday, March 20. The Awards are presented for distinguished acting, directing, design and technical abilities in theatre.
For over 50 years the Fleur du Cap Theatre Awards has played a unique role in the growth of South African theatre through awarding excellence in professional theatre. This year, for the first time in the event’s history, the awards will boast many firsts; ranging from food and wine experiences to recognition of theatre development.
The awards are presented in 20 different categories and a total of 86 productions from 2015 were eligible. In addition, 66 student performances were considered for the most promising student award.
The judges for 2015 productions were Africa Melane, Dr Beverley Brommert, Christine Moritz, Eugene Yiga, Gillian Mitchell, Herman van der Westhuizen, Johan van Lill, Marina Griebenow, Peter Tromp, Steyn du Toit and Tracey Saunders.
“I want to acknowledge the amazingly passionate panel of judges, the support of the Distell Foundation together with the Fleur du Cap Wine brand as well as the theatre industry for the tremendous support the Fleur du Cap Theatre Awards enjoys. I look forward to what the future brings,” says Melanie Burke, chairwoman of the judging panel.
For a production to be eligible, a run of a minimum of eight performances over a period of three weeks at the same venue is required.
Each award carries a cash prize of R15 000 and each award recipient is given a silver medallion. All voting processes are audited and overseen by the legal firm Cluver Markotter Inc.
The nominees are:
Best performance by a lead actor in a play: Andrew Buckland for Tobacco and the Harmful Effects Thereof; Gerben Kamper for Samsa-masjien; Atandwa Kani for Sizwe Banzi is Dead; Nicholas Pauling for A Steady Rain; Albert Pretorius for Die Seemeeu.
Best performance by a lead actress in a play: Antoinette Kellerman for Samsa-masjien; Rolanda Marais for Die Seemeeu; Sandra Prinsloo for Die Seemeeu; Jennie Reznek for I Turned Away and She Was Gone; Anna-Mart van der Merwe for macbeth.slapeloos
Best performance by a supporting actor in a play: Charlton George for macbeth.slapeloos; Marty Kintu for Blue/Orange; André Roothman for Drif; Sven Ruygrok for Epstein: The Man Who Made the Beatles; Marius Weyers for Die Seemeeu.
Best performance by a supporting actress in a play: Jana Cilliers for macbeth.slapeloos; Antoinette Kellermann for macbeth.slapeloos; Martelize Kolver for Die Seemeeu; Cintaine Schutte for Die Seemeeu; Anthea Thompson for Cry Havoc.
Best performance in a revue, cabaret or one-person show: Terry Fortune for Remembering the Lux; Jemma Kahn for We Didn’t Come to Hell for the Croissants; Jennie Reznek for I Turned Away and She was Gone; Klara van Wyk for You Suck (and other inescapable truths); Graham Weir for Dead Yellow Sands.
Best performance by an actor in a musical or music revue theatre show: Grant Almirall for Singin’ in the Rain; Charl-Johan Lingenfelder for Cabaret; Aubrey Poo for Orpheus in Africa; Jonathan Roxmouth for West Side Story; Steven van Wyk for Singin’ in the Rain.
Best performance by an actress in a musical or music theatre show: Bethany Dickson for Singin’ in the Rain; Lynelle Kenned for Orpheus in Africa; Lynelle Kenned for West Side Story; Claire Taylor for Cabaret; Candice van Litsenborgh for Little Shop of Horrors.
Best performance by a supporting actor in a musical or music theatre show: Dean Balie for Orpheus in Africa; Sne Dladla for Orpheus in Africa; Zak Hendrikz for Little Shop of Horrors; Stephen Jubber for West Side Story; De Klerk Oelofse for Liewe Heksie: Flower Power.
Best performance by a supporting actress in a musical or music theatre show: Shannyn Fourie for Cabaret; Bianca le Grange for West Side Story; Jill Levenberg for Orpheus in Africa; Nkoto Malebye for Book of Rebellations; Michelle Maxwell for Cabaret.
Best director: Christiaan Olwagen for Die Seemeeu; David Kramer for Orpheus in Africa; Jaco Bouwer for Samsa-masjien; Marthinus Basson for macbeth.slapeloos; Sylvaine Strike for Tobacco and the Harmful Effects Thereof.
Best new South African script: Samsa-masjien by Willem Anker; Orpheus in Africa by David Kramer; Siembamba by Philip Rademeyer & Penelope Youngleson; I Turned Away and She was Gone by Jennie Reznek; Dead Yellow Sands by Graham Weir.
Rosalie van der Gucht prize for new directors: Adrian Collins; Christo Davids; Jason Jacobs; Mdu Kweyama; Paul Noko.
Award for the most promising student: Schalk Bezuidenhout from UCT; Dealan Fredericks from Northlink College; Kgomotso Khunoane from UCT; Kiroshan Naidoo from UCT; Vashti Prins from US; Khathu Ramabulana from UCT; Mar-li van der Merwe from US; Sean van Noordwyk from US.
- Best lighting design: Wolf Britz for Samsa-masjien; Patrick Curtis for Blue/Orange; Joshua Cutts for West Side Story; Guy de Lancey for Dead Yellow Sands; Albert Snyman for macbeth.slapeloos.
- Best set design: Marthinus Basson for macbeth.slapeloos; Jaco Bouwer for Samsa-masjien; Conor Murphy for West Side Story; Saul Radomsky for Bad Jews; Saul Radomsky for Orpheus in Africa.
- Best costume design: Marthinus Basson for macbeth.slapeloos; Simon Higlett for Singin’ in the Rain; Birrie le Roux for Orpheus in Africa; Birrie le Roux for Die Seemeeu; Marcel Meyer for The Tragedy of Othello – The Moor of Venice.
- Best sound design, original music composition or original score: Marthinus Basson for macbeth.slapeloos; David Kramer for Orpheus in Africa; Kgafela oa Magogodi for Book of Rebellations; Neo Muyanga for I Turned Away and She was Gone; Pierre-Henri Wicomb for Samsa-masjien.
- Best puppetry design: No nominations.
Tickets for the awards ceremony at the Baxter Theatre cost R200 at Computicket (0861 9158000). Guests can look forward to an interesting twist on a Fleur du Cap food and wine experience and will as usual be entertained by local talent onstage and in the foyer.
Follow the awards on Twitter @FDCTheatreAward and on Facebook.