
Mary Sibande’s Cry Havoc. Photo courtesy of the artist and Gallery MOMO.
Running at the Durban Art Gallery until May 28 is the exhibition ‘Beauty and its Beasts’, which asks the question: Has the female stereotype changed? Continue reading

Mary Sibande’s Cry Havoc. Photo courtesy of the artist and Gallery MOMO.
Running at the Durban Art Gallery until May 28 is the exhibition ‘Beauty and its Beasts’, which asks the question: Has the female stereotype changed? Continue reading

The Centre for Jazz and Popular Music at the University of KwaZulu-Natal’s Howard College campus in Durban is hosting a collaborative concert between Unisa and Oberlin Conservatory at 6 pm on Tuesday, September 6. Continue reading

Restoration architect, Robert Brusse, will be doing an illustrated talk titled ‘The Restoration of Government House’ at 11 am on Saturday, April 16 at the Tatham Art Gallery in Chief Albert Luthuli Street, Pietermaritzburg. The lecture is indirectly related to the current exhibition, Building History.
The oldest part of this elegant old building at the top of Langalibalele (Longmarket) Street dates from 1848, and all the Governors who lived there until 1910 added to it.
In later years it housed the well-known Pietermaritzburg Teacher Training College. After a bad period of neglect, the building was restored by Brusse and his team between 2004 and 2014.
Admissionis free but booking is essential. Contact: Kobie.venter@msunduzi.gov.za or 033 3922 819

Natalie Rungan
Durban-born singer and songwriter Natalie Rungan will perform with pianist, Mark Royeppen, and drummer, Bruce Baker, in the historic Government House on Unisa’s Pietermaritzburg Campus in Langalibalele Street on Friday, November 20.
The concert starts at 7 pm and will feature a combination of jazz classics, Natalie’s original compositions and cleverly arranged pop covers to bridge the gap between those who love the classics and those who just want to have fun listening to music on a Friday night.
New to artSPACE durban from Monday, June 29 at 6 pm for 6.30 pm swany’s Prick! Subverting the stitch.
In eighteenth-century literature the figure of the woman embroidering not only represented the pinnacle of good-breeding and virtue but also one of sexual provocation. This is because, focused on her stitching, she was exposed to the male gaze. Continue reading