Born To Perform celebrates our young talent

Today’s stars join stars of tomorrow in the Born To Perform Gala Concert at The Lyric Theatre, Gold Reef City on Wednesday 1 July at 7.30 pm.

Daniel Baron, Graeme Watkins, Nathan Ro and Cito join budding stars of tomorrow on stage to celebrate the young and professional talent that we have in South Africa.

Born To Perform is a platform created by Gemma Marinus Donnelly and Matthew Marinus to create professional opportunities in the performing arts industry for young budding talented children and teens.

Originally coming from the United Kingdom, Gemma has been a major player in the musical theatre industry in SA for over eight years before opening up an elite performing arts school (Stageworx School Of Performing Arts) in 2009. www.stageworx.co.za

Passionate about growing a bright future for our budding artists Gemma and Matthew are heavily involved in training and showcasing the future stars of SA.

Matthew is best known as the talented drummer for The Graeme Watkins Project, but most recently is fast making a name for himself as Dream Canvas Productions, a video production company he has recently formed, where he produces music videos and EPK’s for SA artists. www.dreamcanvas.co.za

For the Born To Perform Gala Concert at The Lyric Theatre on July 1, Gemma and Matt have searched all over Johannesburg for the most talented singer, dancers and actors in musical theatre and pop music to put together a variety style show inspired by the annual Royal Variety Show in England. These budding performers will be teaming up with some of SA’s favourite artists to show the world what South Africa has to offer.

Says Gemma; “We are lucky enough to have such strong industry support and have managed to gain assistance from some top industry players including Collett Dawson and Cito from The CoLab Network as well as seasoned pro’s such as Graeme Watkins (The Graeme Watkins Project) Nathan Ro (Lonehill Estate), Daniel Baron and Cito (WONDERboom).

“Having these artists performing with our young stars will not only give the youngsters an experience of a lifetime but also hopefully encourage other producers to create opportunities in the industry for them. “

The evening will be a dazzling display of song and dance provided by our leading stars alongside a wide array of budding talent. Here are just a few of the expected highlights:

  • Graeme Watkins and Nathan Ro will be opening the show with a full swing section with over 60 children hand-selected from the Johannesburg region in an explosion of timeless dance and song classics.
  • Cito will be performing one of his signature performances, Hallelujah, with the beautiful talented 10-year-old Tylo Venter.
  • Daniel Baron will be performing a medley of recent popular radio songs with some upcoming music stars including Joshua Middleton, Lisa Kriel and Joshua Moreira.
  • For the musical theatre lovers we have excerpts from Hairspray, Jesus Christ Superstar, Matilda, Smash and Jekyll and Hyde accompanied by Rowan Bakker (musical director of Jersey Boys SA Tour, Mamma Mia and We Will Rock You.)

The second leg to Born To Perform is the Born To Perform TV show. Gemma and Matthew are currently in the process of filming segments for this, such as the “Sing with a Star” segment where talented children will duo with local stars – such as Tylo Venter in this clip working with Belinda Davids from the recent The Greatest Love of All – The Whitney Show. Watch the clip: https://www.youtube.com/watch?v=9sd0kCWqKT8

The final aspect is the new Teen group “The Buzz” where it’s hoped to create a market for young singers in the SA music scene. You can see the debut of “The Buzz” at the showcase in July.

Tickets range from R180 to R220 and can be booked through Computicket or online at www.goldreefcity.co.za or by calling The Lyric Theatre Box Office on 011 248 5000.

Follow Born to Perform:

Website: www.borntoperform.co.za

Face Book: https://www.facebook.com/Borntoperformgala

YouTube: Born To Perform TV

Stageworx Performing Arts is always looking for new talent for their projects so if you are a young talented teen please send a clip to info@borntoperform.co.za

Watch these videos to give you an idea what to expect from the youngsters on the night:

https://www.youtube.com/watch?v=_cBzy4ade94

https://www.youtube.com/watch?v=Iiw93HzaMco

https://www.youtube.com/watch?v=DtfUq_FfF7w

Sibikwa presents four classic plays

Sibikwa Arts Centre is reviving four of its classics: Uhambo, Kwela Bafana, DET Boys’ High and So Where To?.

The Sibikwa Arts Centre in Benoni, founded by Phyllis Klotz and Smal Ndaba, is internationally recognised for its productions that have an ongoing concern to address social, environmental, gender and health issues that validate the lives of ordinary people.

The Sibikwa Players, comprising actors, musicians, dancers and singers, have been dedicated to developing a canon of indigenous South African work in their wondrous signature multi-discipline style since they were founded in 1988.

Sibikwa’s professional drama component has long blown any preconceptions about community theatre out of the water bringing epic retelling of South African history to mainstream audiences.

Sibikwa has revived four of its emblematic classics: Uhambo, Kwela Bafana, DET Boys’ High and So Where To?. All these productions are written and directed by Phyllis Klotz and Smal Ndaba, the stellar Sibikwa team, and have toured extensively nationally and internationally participating in the Edinburgh Festival, Festivals in Europe, Singapore, Canada and the USA. They are now ready for touring in South Africa and the SADC!

  • Uhambo, first presented in 1997, is an inspiring tale about a boy’s adventure during a vibrant yet conflicting time. The harsh system of migratory labour and the ever–growing repression of apartheid are re-told through a wondrous mixture of music, dance, drama, mime and dialogue. Uhambo, seen through the eyes of Mzamo, a scared and vulnerable teenage boy, born in the 1950s in the Eastern Cape, takes the audience back to the time when Mzamo was a 14-year-old boy and embarked on a journey to find his parents in eGoli, a trip that ultimately becomes his journey into manhood. Uhambo will be presented in association with the State Theatre in September 2015 and will only be available after the run.
  • Kwela Bafana is an engaging, scintillating musical that pays homage to the distinctive music of the 1950s, an era of vivacity, fashion, music, dance and bravery in the face of apartheid adversity and forced removals. This soulful production, set in a shebeen, brings the 50s back to life; it takes you down memory lane to the era of ‘live fast, die young and make a beautiful corpse’ with the music of South African icons such as Strike Vilakazi, Dorothy Masuka and the Manhattan Brothers. Kwela Bafana has audiences singing along, tapping their feet and wishing they had brought along their dancing shoes.
  • D. E. T. Boys’ High, a highly energetic, thought-provoking, multi-award winning Sibikwa production, emerged from intense research in the 1990s and is presented in the typical multilingual Sibikwa style with a-cappella harmonies and high energy dances embedded in the dialogues. It gives a candid view of the substandard education of the day, sadly still relevant today. The play, set in a boy’s high school toilet, shakes and pulsates with the raw vitality and fire of the and explores corruption among teachers and the disillusionment of learners
  • So Where To? Is a passionate play about the anguish and sorrow of three young, unwed, pregnant women for whom motherhood is blighted by the prejudices of apartheid. Set in 1988, against the background of the state of emergency and oppressive police action, the play examines the fate of the three young women from dissimilar backgrounds who are all expecting their illegitimate babies in a Daveyton maternity ward. Sibikwa is proud to announce that the female cast of the revised 2015 adaption of So Where To? is completely drawn from its Saturday Arts Academy graduates while the male lead is played by SAA-parent Sipho Manzini known for his roles in Scandal an Isibaya.

All four plays can be booked as school plays; they are suitable for learners from Grade 7 upwards. DET Boys’ High and So Where To? deal with issues such as drugs, crime and teenage pregnancy that affect the daily lives of our youth and fit in with the life orientation syllabus. Kwela Bafana and Uhambo focus on history and heritage.

Sibikwa wouldn’t be Sibikwa without a special women’s month offering. This year So Where To? Will be presented at the Sibikwa Arts Theatre on August 8, 9 and 10 at 3 pm. Tickets are R50 for adults and R25 for pensioners, students and children. Inquiries: 011 422 4359.

KZN student productions at the National Arts Festival

DURBAN University of Technology will present Behind Closed Minds at the National Arts Festival in Grahamstown.

Written and directed by Farrell Drew, the play offers a dramatic and emotionally powerful story. It is a dark and soul-questioning piece that touches on issues such as loyalty, injustice and the misuse of power.

Behind Closed Minds is centred on the lives of Dr Victor Duval, his wife and assistant Anita, and the patients who were released into their care. The play seeks to examine a side to hypnotherapy that has yet to be explored, while revealing how the selfishness of one man destroyed the lives of all those who trusted him.

The play will be staged in the Rehearsal Room at 11.30 am on July 7 and 2.30 pm on July 8. Tickets are R45 (concessions R35).

Also staging a work in the student drama festival is the University of KwaZulu-Natal Durban. Ashes to Ashes, written and directed by Camilla Rogers, is a political satire that ridicules the actions of our political leaders and law enforcers, while acting out a robbery.

The play will be staged in the Rehearsal Room at 5 pm on July 6 and 8 pm on July 7. Tickets are R45 (R35 concessions).

Bookings are open and can be made via the website:http://www.nationalartsfestival.co.za. Ticketing call centre: 0860 002 004

Pick up a Festival programme and booking kit from selected Standard Bank and Exclusive Books. The full programme is online athttp://www.nationalartsfestival.co.za

A look at Alan Paton’s life and works in ‘A Voice I Cannot Silence’

DURBAN actors Ralph Lawson, Clare Mortimer and Menzi Mkhwane will be starring in Greg Homann and Ralph Lawson’s A Voice I Cannot Silence.

The play, which is based on the life and work of Alan Paton, highlights the invaluable contribution made by the author of Cry, The Beloved Country who was, in the words of Douglas Livingstone, a “lighthouse in the South African twilight” during the dark decades leading up to the country’s constitutional democracy.

Paton’s internationally recognised gifts of lyric verse, evocative prose and vibrant story telling are combined to create a richly dramatic portrait.

The play focuses on his years as principal of Diepkloof Reformatory, the “toughest black borstal in the Southern Hemisphere”, where he introduced daring reforms that brought him into conflict with the architect of apartheid Hendrik Verwoerd, his position as president of the Liberal Party that led to harassment and a 10-year period during which his passport was taken away by the apartheid government, his indomitable belief in and daunting struggle for human rights, and the complexities of his personal relationships.

These weighty themes are explored through Paton’s interaction with Anne Hopkins, whom he employed in 1968 as a secretary shortly after the death of his wife Dorrie.

While trying to come to terms with his loss, the memories of his wife and their love for each other are set in contrast to his difficult days spent at the reformatory some 20 years earlier where he remembers vividly a curious young man called Sponono.

A Voice I Cannot Silence is being staged at the Rhodes Box Theatre at noon and 8.30 pm on July 10 and July 11, and at noon on July 12.

Tickets are R70, with concession tickets at R65.

A post-performance discussion with the director and cast, moderated by an arts journalist from City Press, will take place after the noon performance on July 10.

Bookings are open and can be made via the website:http://www.nationalartsfestival.co.za. Ticketing call centre: 0860 002 004

Pick up a Festival programme and booking kit from selected Standard Bank and Exclusive Books. The full programme is online athttp://www.nationalartsfestival.co.za

Ewok delivers a visceral experience

DURBAN actor, poet and spoken-word artist Iain “Ewok” Robinson will star in Yobo: You’re Only Born Once in the Thomas Pringle Hall at 3 pm on July 8, 4 pm on July 9, 4 pm on July 10 and noon and 9 pm on July 11.

Yobo is a spoken-word, audio-visual experience created by Robinson and his wife Karen Logan. It delivers a highly visceral theatre experience using live video projection and an original score created across continents.

Set against the backdrop of the constant construction that is contemporary South Africa, Yobo draws us into the world of a solitary white man living camped beneath a national highway.

Tickets are R70 (concessions R65).

Bookings are open and can be made via the website:http://www.nationalartsfestival.co.za. Ticketing call centre: 0860 002 004

Pick up a Festival programme and booking kit from selected Standard Bank and Exclusive Books. The full programme is online at http://www.nationalartsfestival.co.za

Iain ' Ewok' Robinson.

Iain ‘ Ewok’ Robinson.

Marikana – The Musical returns to the State Theatre in Pretoria

Marikana – The Musical, winner of six Naledi Awards, returns to the stage at the South African State Theatre in Pretoria.

Adapted by acclaimed multi-award winning playwright and theatre director, Aubrey Sekhabi from the book We Are Going to kill Each Other Today- The Marikana Story penned by South African writers , Thanduxolo Jika, Felix Dlangamandla, Lucas Ledwaba, Sebabatso Mosamo, Athandwa Saba and Leon Sadiki, the musical looks at the events that led to the loss of 44 lives at the hands of the police and the miners. It goes back to the villages and townships where they came from and give faces and names to the fallen brothers, sons, fathers and uncles.

Marikana – the Musical has been a humbling experience for us, awards, accolades and public demand it has been a real roller-coaster of emotions for me, the creative team and the cast we hope to continue using art to heal, mourn and most importantly to teach tolerance,” says director, Aubrey Sekhabi.

The 40 strong cast is led by Meshack “Mimi” Mavuso, Aubrey Poo, Emma Mmekwa, and Mpho “Mckenzie” Matome.

At the Naledi Theatre Awards 2014 Marikana – The Musical took home the awards for the best production of a musical (The South African State Theatre), best director (Aubrey Sekhabi), best performance in a musical: female (Emma Mmekwa), best set design (Wilhelm Disbergen), best musical score (Mckenzie Matone, Zakele Mabena and Aubrey Sekhabi), and best original choreography (Thabo Rapoo).

NEED TO KNOW

Marikana – The Musical will be staged in the Drama Theatre at the State Theatre in Pretoria from July 16 to August 16. Go to http://www.statetheatre.co.za/ for more details and to book.

Nongogo shines in Canada

Athol Fugard’s vibrant play Nongogo, directed by the Market Theatre’s award winning Artistic Director, James Ngcobo is in the running for a prestigious award in Canada.

The play has been nominated in the 36th Annual Dora Mavor Moore Awards, organised by the Toronto Alliance for the Performing Arts. The winners will be announced on Monday, June 22, with Nongogo nominated in the category of outstanding touring production after wowing audiences in at the Canadian Stage in Toronto earlier this year.

The powerful Fugard play is set in a township shebeen in the turbulent 1950s. The shebeen queen falls for a travelling salesman who works past her protective shell, and past the protection of her burly bouncer, to lure her into sharing long-buried secrets. The Market Theatre production pulsed with the raw power of the setting and tension in the lives of the characters, all dreaming of a better life.

Nongogo played in Toronto under a project run by the National Arts Council of South Africa (NAC) and the Canadian Stage in Toronto. It featured acclaimed actor Desmond Dube, who earned a Naledi Award as the best supporting actor for his performance. Sharing the limelight were Hamilton Dhlamini, Nat Ramabulana, Masasa Mbangeni and Pakamisa Zwedala.

The Dora Mavor Moore Awards were launched in 1978 to recognise outstanding achievements in Toronto theatre. They span 48 categories with the winners chosen by a jury of professionals from the performing arts community.

“It is such an honour for us to receive this nomination, having presented Nongogo at the Canadian Stage. This recognition reminds us that we are on the right track and that the world is open to engaging with our stories, and continues to support and appreciate the work of the Market Theatre. Thank you to Canadian Stage and the NAC for enabling this presentation to happen,’’ said Annabell Lebethe, Market Theatre CEO.

Flemish productions to be staged in Africa

The Dog Days are Over and Another Great Year For Fishing are to be staged at the National Arts Festival.

Two celebrated Flemish productions will have their African premiere at the National Arts Festival in Grahamstown. This showcase of Flemish culture and talent is brought to South African audiences thanks to the Government of Flanders and the Flemish-Dutch House deBuren.

“We are proud to bring two incredibly talented artists to South Africa’s premier celebration of creative and artistic talent,” says Dr Geraldine Reymenants, General Representative of the Government of Flanders in South Africa.

Acclaimed choreographer Jan Martens is bringing his production The Dog Days are Over to the festival and producer Tom Struyf will be staging Another Great Year for Fishing.

Jan Martens, born in Belgium in 1984, studied at the Fontys dance academy in Tilburg (Netherlands) and graduated at the Artesis Conservatory for Dance in Antwerp (Belgium) in 2006. In 2009 he began developing his own choreographic works and quickly received critical and popular acclaim. The high energy dance productions grew in popularity and were initially performed mainly in the Netherlands and Belgium before spreading quickly around Europe.

He debuted formally as a choreographer in 2010 with the highly praised i can ride a horse whilst juggling so marry me, a work focusing on a group of women living in a world dominated by social networks.

In 2011 he created two ‘love duets’, both investigating the clichéd portrayal of a male-female relationship: a small guide on how to treat your lifetime companion and sweat baby sweat. The first one was selected for Aerowaves, a European network supporting young choreographers. The work has been performed more than 80 times

The Dog Days Are Over, to be performed at the National Arts Festival on 9 and 10 July, centres on the idea that when a person is asked to jump, they lose focus on the façade they project and the real person behind the mask is exposed.

In the performance Martens forces his audience to reflect on contemporary dance, culture policy, the difference between art and entertainment, as well as why they would want to witness an intensity that is not revealed in daily life.

“The show attempts to put its audience in a trance, yet simultaneously create the aesthetic distance necessary to question why they are in the theatre right at that moment,” says Martens.

All Martens’ works explore the possibility of a perfect balance and symbiosis between story-telling and conceptualism. He does not try to create a new movement language, but instead moulds and recycles existing idioms and places them in a different setting, so a new idea emerges. He maintains that, in his work, the beauty of the incomplete human being is revealed over complex choreography or physical virtuosity.

Tom Struyf was born in 1983, and graduated in 2007 as an actor at the Maastricht Theatre Academy (Netherlands).

His work has won him acclaim and seen him perform at many of the great theatres in Belgium and the Netherlands. His performances The Tatiana Aarons Experience and Act to forget were selected by the jury of the Flemish-Dutch Theatre Festival for Circuit X.

Another Great Year for Fishing, staged at the National Arts Festival on 11 and 12 July, is a performance about the power of stories and images, mass communication and indoctrination. “It’s a play about the question of how to lead a normal life in an ever-changing society and thus constantly requiring a great deal of adoption power. But the show must go on,” says Struyf.

During the show Struyf and dancer Nelle Hens are looking for the fire exit. With the help of a wide range of spin doctors, psychiatrists, journalists, and philosophers they try to unravel what happens in the backrooms of the rat race.

Both Jan Martens and Tom Struyf have recently been acknowledged for their major contribution to the arts. On 2 July, Martens will be awarded the 2015 Charlotte Köhler Prize – a prize that aims to encourage and develop young talent – by the Netherlands’ Prins Bernhard Cultuurfonds. In May, Stuyf’s Another Great Year for Fishing was also selected for the Berlin 2015 Theatertreffen Stückemarkt – a festival of discovery for young European theatre makers who develop a new theatrical language.

“We are delighted to bring something new to festival goers, and we invite them to explore all forms of art while they are at the festival, such as this mini-Flemish season when it debuts in Africa,” says Ismail Mahomed, Artistic Director of the National Arts Festival. “We are really very proud to bring this standard of performing arts to South Africa.”

Flanders is the Dutch-speaking autonomous region in the north of Belgium, with Brussels as it is capital. The General Representation of the Government of Flanders in Southern Africa is committed to showcasing the diversity and innovative creativity of Flemish arts and culture.

View video clips of the productions here: www.tomstruyf.be and www.janmartens.com

Fantastic family theatre at National Arts Festival

The ASSITEJ Family Fare Platform returns to the National Arts Festival for a 4th consecutive year to promote rich and diverse theatre for young audiences and their families.

Since its inception, ASSITEJ Family Fare has provided a unique platform dedicated entirely to the needs of families experiencing the festival. The venues provide theatre which caters to the whole family, while Oatlands Prep, where the ASSITEJ Family Fare Platform has its base, specifically provides interactive, creative and stimulating Family Fare activities run by artists and ASSITEJ staff. ASSITEJ has built relationships within the Grahamstown family community, with local families returning each year. Denese Palm, a local mom and entrepreneur, has for the last three years provided wholesome and nutritious catering for audiences visiting the Oatlands venue.

The Family Fare Platform has successfully gained recognition within the framework of the National Arts Festival. Of the handful of prestigious Silver Ovation Awards issued at National Arts Festival since 2012, the ASSITEJ Family Fare programme has already been awarded two: the first for Jori Snell’s critically acclaimed “Kitchen Fables in a Cookie Jar” in 2012 and the second to international ASSITEJ theatre company, Batida from Denmark, whose production “A Man Called Rolex” heralded in a new category of award for Family Fare in 2014. Many other productions on the platform have been awarded Ovation awards in recognition of their quality.

The ASSITEJ Family Fare Platform has now extended across the festival, with performances at Oatlands Prep, Memory Hall, Glennie and Centenary Halls. 2015 presents a rich diversity of 14 productions – entertaining, thought provoking and engaging – giving families the opportunity of “growing up and growing together through theatre”.

On the Main Programme, two international collaborations are featured – “Red Earth Revisited” and “True Confusion”:

  • ‘Red Earth Revisited’ by Speelteater Holland and ASSITEJ SA is a re-imagining of the events around the Xhosa prophetess Nongqawuse, seen through the eyes of a migrant stork, and will follow its appearance on the National Arts Festival Main Programme with a tour of the Eastern Cape. The production stars local actors Macebo Mavuso, Thami Mbongo and Roshina Ratnam as well as a chorus of South African and Netherlands-based artists, and uses puppetry, movement and song in vibrant and interesting ways.
  • True Confusion’ by ZeBu (Denmark), aimed at ages 8 to 13, is a physical interpretation of the situation where children find themselves paradoxically accepting their reality while bombarding it with hundreds of questions. It is playful, challenging and interactive. This dance production has toured extensively internationally and is now on South African soil for the first time.

The theme of Dance for Young Audiences is continued with an exciting local productions

  • ‘Once upon a Fire’ by Briony Horwitz, co-directed by Nkosinathi Gaar and choreographed by David Matamela (South African “So You Think You Can Dance” Judge), is aimed at audiences aged 5 – 11. ‘Once Upon a Fire’ revives the ancient art of story-telling, celebrated in dance and punctuated by enchanting shadow puppetry. This production is the very first dance for young audiences production created under ASSITEJ South Africa mentorship, through the director’s involvement in the Inspiring a Generation programme, which gives emerging South African artists opportunities for international collaboration and exchange in order to develop their craft.

There are also a number of performances which address issues like social injustice, crimes against humanity, disability and inclusivity in exciting and challenging ways, providing the opportunity for starting conversations with young people around important issues:

  • The Orphan of Gaza’ by Eliot Moleba performed by Nidaa Hussein and Megan van Wyk, tells the story of a young girl in Gaza. After a rocket attack, she is told that her parents have gone to a better place. Armed with a makeshift aircraft, helmet, GPS and a cockpit full of courage, she and her pet, plot a journey to search for them.
  • ‘Warrior on Wheels’ presented by the Chaeli Campaign, directed by Jayne Batzofin. The Chaeli Campaign is one of the few local Non-Profit Organisation’s which has been founded by children who are active members of the Management Committee. “Warrior on Wheels”, based on Deidre Gower’s book, aims to engage and enliven the imagination and encourage a more accepting society, especially for those with disabilities. This production was specifically created for children aged 7 – 15.
  • ‘Mirrored Flaws’ by Thando Baliso, tells the story of three teenagers embroiled in social ills. This production aimed at teenagers is told through movement, spoken word and dance.
  • ‘The Rise and Fall’ presented by Sisonke Art Productions, directed by Herbert Mokoena, (Winner of the 2014 SANCTA Awards, nominated for 8 SANCTA Awards) was developed through the ASSITEJ South Africa’s mentorship programme. ‘At age 13 Sarah is kidnapped by Ugandan rebels and forced to become a soldier in the Lord’s Resistance Army. Four years later, with General on the run, Sarah attempts to returning to her childhood village, nervous about the reception she will receive after her role in terrorizing her own people’.

Clowning for Young Audiences:

  • ‘Double the Fun’ – with decades of experience, veteran Durban clown Adi Paxton returns with ‘Double The Fun’, a production made up of magic, clowning and puppetry for ages 3 and up.

Visual Theatre for Young Audiences:

  • ‘Making Mandela’ – written by Nick Warren and Jenine Collocott, directed by Jenine Collocott “Soars with clean narrative lines, superb physical theatre, humour and pathos … it will wow not only festival goers, but the world.” – Robyn Sassen, The Arts at Large. An imaginative journey through the childhood of Nelson Mandela featuring colourful characters, vividly portrayed in beautiful masks, with physical performances supported by emotive sound design and theatrical styling. This is the story of what influenced the rural boy to become the global legend.
  • ‘Florence and Watson’ written and directed by Rob van Vuuren and Dani Bischoff (married): Says Rob van Vuuren ‘We wanted to put together a show that our own daughter would love. So we’ve created a magical mountain full of fairies, dragons, giants and talking animals and found the best most versatile actors and musicians we could with Fleur du Cap Award Winner Dean Balie (Kat and the Kings, Blood Brothers, Orpheus in Africa) and Fleur Du Cap and Standard Bank Ovation Award Winner Sne Dladla (Fergus of Galloway, Betty and the Yeti, Orpheus in Africa) to infuse it with great comedy, awesome music and beautiful performances’.
  • One of Mail and Guardian’s Top 200 Young South Africans in 2013, Rhodes graduate Richard Antrobus of Oddbody Theatre returns to the Festival with his highly successful mime comedy solo: ‘Being Norm’ ideal for anyone 10 and over.
  • ‘Lake’ directed by Daniel Buckland, performed by Ryan Dittman and Jaques de Silva –returning to Festival of the second time; ‘Lake’ is a delight for the whole family, and addresses issues human issues friendship and societal issues around water conservation through warm, funny physical theatre, clowning and puppetry.
  • ‘The Incredible Journey’ directed by Tara Notcutt performed by Nhlanhla Mkhwanazi, Stefan Erasmus and Luke Brown. ‘The Incredible Journey’ was invited to and premiered at the Perth International Fringe Festival in 2015. ‘Once upon a time, a boy named Tommy who lived an unadventurous life was presented by a challenge from the new kid at school – join us on an adventure of the imagination and magic: Come see Tommy’s journey to becoming a hero.’

Music for Young Audiences:

  • The Keiskamma Academy presents “Indalo” directed by Mojalefa Mokanya, which is performed by a 22 piece orchestra band and 10 storytellers. The story is set in the Eastern Cape unpacking the deep and magical relationship between animals and the amaXhosa, and weaves together different strands of artistic expression: music, storytelling, physical performance and visual art.

For more information visit www.assitej.org.za or visit www.nationalartsfestival.co.za for bookings.