South African focus at Zanzibar International Film Festival

The Zanzibar International Film Festival is proud to host a series of events focused on South Africa that will include a range of South African guests including South African actress Leleti Khumalo, along with Lebobang Rasethaba, the director and Tshego Molete, the producer of Prisoner 467/64: The Untold Legacy of Andrew Mhalangeni, Adrian Steirn, director of 21 Icons: A Journey to Democracy and Sihle Hlope, director of As I Am.

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International award for SA film, The Shore Break

Ryley Grunenwald’s The Shore Break, has won the prestigious Backsberg Audience Choice Award at Encounters South African International Documentary Festival for Best South African Film.

The award-winning documentary film follows the dilemma faced by a rural community on South Africa’s Wild Coast as to whether to support or resist a proposed titanium mining project and a national tolled highway.

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Don’t miss the Durban Gay & Lesbian Film Festival

Tickets range from R30 and there are special package rates available.
This year sees a retrospective of well-known Canadian gay filmmaker Charlie David’s recent films Mulligans (2009), Scenes From A Gay Marriage (2012), More Scenes From A Gay Marriage (2014) and the Pink African premiere of his latest film, Paternity Leave (2015) with Chris Salvatore (Eating Out series).
Also on the programme are the powerful documentaries Beyond Gay: The Politics of Pride (2009) and Positive Youth (2013).
“Charlie is a great supporter of the DGLFF with his well received film Judas Kiss opening the inaugural DGLFF in 2011,” said Jason Fiddler, director of the festival.
“We look forward to having him as a guest of this year’s festival thanks to the support of the Canadian High Commission in Pretoria. Charlie will also be conducting some filmmaking workshops for emerging LGBTI filmmakers.”
Oscar nominated for the documentary Invisible War that saw him win an Emmy, American filmmaker Tanner Barklow and Israeli counterpart Gil Kofman will be sharing their new film, Lost In the White City with Durban audiences.
It stars Thomas Dekker as a bisexual experimental filmmaker on a soul-searching vacation with his girlfriend in Tel Aviv when a handsome Israeli drives a sexual wedge between them.
Other films to look forward to include:
• A Reunion about a gay road trip film that brings two estranged friends back together on a journey to attend their alma mater reunion in Chicago whilst confronting a complicated past; and
• Shadows of Yesterday, a drama that focuses on the growing romance of two guys during student uprisings that pit love and principles against ideology.
“We are also proud to announce the world premiere of a brand new South African lesbian drama, My Name Is Rose/Imbali, a story of forced marriage, African tradition and newly discovered love between two young African women coming to terms with a patriarchal society,” said Fiddler.
The film will screen tomorrow at 7 pm. For more on the film, see the accompanying story.
In addition to the feature films there are more than a dozen international short films and documentaries on offer during the eight-day festival.
The full schedule can be seen at http://www.dglff.org.za and you can like the Facebook page: DGLFF to keep up to date with the festival.
Shadows of Yesterday.

Shadows of Yesterday.

Lost in the White City.

Lost in the White City.

Charlie David.

Charlie David.

A Reunion.

A Reunion.

Ayanda to open the Durban International Film Festival

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Fulu Mugovhani plays Ayanda in the film of the same name.

Fulu Mugovhani plays Ayanda in the film of the same name.

THE highly anticipated South African film, directed by Sara Blecher and produced by Real Eyes in association with Leading Lady Productions, will open the 36th Durban International Film Festival (Diff), which takes place from July 16 to July 26.

Set in the vibrant Afropolitan ­community of Johannesburg’s Yeoville, Ayanda is a coming-of-age story of a ­21-year-old Afro-hipster who embarks on a journey of self discovery when she has to fight to save her late father’s legacy, a motor repair shop, when it is threatened with closure.
She’s thrown into a world of greasy overalls, gender stereotypes and abandoned vintage cars, once loved and now in need of a young woman’s reinventive touch to bring them back to life.
“Ayanda is a story about women, made by women,” says director Blecher. “The film is set in a vibrant and diverse Johannesburg and gives audiences a colourful and vivid view of South Africa right now. With a youthful cast, it has energy and street style.
“At its heart, however, the film looks at what it’s like for a young girl to grow up without a father, and how she and others around her have to learn how to let go of the things and people they love to move forward.”
The film stars Fulu Mugovhani (of Scandal fame) in the title role, Nigerian actor O.C. Ukeje and South Africans Ntathi Moshesh, Kenneth Nkosi, Jafta Mamabola, Thomas Gumede, Sihle Xaba and Vanessa Cooke.
“We are pleased that this feel-good film will open this year’s festival,” said Pedro Pimenta, director of the Diff.
“The opening film of this, the most prestigious international film event in SA, needs to reflect a clear priority established by the festival to reach and develop local audiences.
“The recently published National Film and Video Foundation (NFVF) report on audiences in this country is very informative and revealing in that while the industry has been successfully structured and supported from all quarters to allow a regular flow of SA content, much still needs to be done for this content to reach local audiences. By once again opening the Diff with a strong SA film, we endorse this objective.”
This is the second opening night film at Diff for Blecher. Her film Otelo Burning, a gripping story about township kids who discover surfing, opened the 2011 Diff, won numerous international awards and was screened at festivals all around the world.
“We are very proud of Ayanda and are thrilled to have it selected as the opening film at this year’s festival. The film had a very successful screening in Cannes last month and we look forward to screening it to festival goers in Durban,” said Blecher.
Co-producer of the film Terry Pheto added: “Ayanda celebrates the diversity of our country and revels in the fact that we are a multicultural, colourful and ­exciting melting pot of Africa. With this film we have tried to capture the Afropolitan nature of our country and the energy of its people.”
Ayanda had its world premiere in Los Angeles on June 13, where it was screened in competition at the prestigious Los Angeles Film Festival.
The film, which was originally titled Andani and the Mechanic, was a project in the 2013 Durban FilmMart, the co-production and finance forum of the Diff, and the Durban Film Office. It is one of five titles that have been part of the DFM process over the years that will be screened this year at Diff. The festival includes more than 200 theatrical screenings and a full seminar and workshop programme, as well as the Wave­scapes Film Festival. Other attractions include the eighth Talents Durban ­(presented in co-operation with the Berlinale Talents) and the sixth Durban FilmMart co-production market (presented in partnership with the Durban Film Office).

Eco-film, The Shore Break, to premiere at DIFF

A FILM about controversial titanium mining will have co-premieres at the Encounters International Documentary Festival in June and the Durban International Film Festival in July.
The Shore Break unpacks the dilemma faced by a rural community on South Africa’s Wild Coast as to whether to support or resist a proposed titanium mining project that could fundamentally change their lives forever.
In the Amadiba area, the Pondo people have tended their traditional way of life for centuries. A proposed titanium mine and the government’s controversial plan to build a highway across this ancestral ground, has polarised the community with those that see it as the beginning of the destruction of a way of life, and others who see it as a beacon of economic hope for the region.
Nonhle Mbuthuma, a young local eco-tour guide, is a staunch supporter of her people and the endangered environment on which their livelihood and culture depends. She wants to develop eco-tourism in order to protect her community’s homes, farms, graves and traditional lifestyle.
Her cousin Zamille “Madiba” Qunya, a local entrepreneur and self-proclaimed moderniser, is fully supportive of the proposed mining operations and highway construction. Tired of his community living in poverty, Madiba scurrilously courts private capital and questionable government officials.
While the South African President deposes the pro-environment Pondo Royal Family, Nonhle rallies support with little more than dogged determination.
Directed by Ryley Grunenwald, The Shore Break was a selected project at the 2012 Durban FilmMart, the IDFA WorldView Summer School 2013, the Hot Docs Forum 2012 and the Hot Docs Dealmakers 2013.
Co-produced by two South African companies, Grunenwald’s Johannesburg-based Marie-Vérité Films and Odette Geldenhuys’ Cape Town-based frank films, it was in competition at the recent International Documentary Film Festival Amsterdam (IFDA), and was named the best feature length documentary at the 2015 International Environmental Film Festival (FIFE) in Paris.
“South Africa’s Wild Coast is my favourite place in the world — it has a rugged, mysterious beauty, and our family has been visiting there for years. When I heard about the proposed mining and toll road through the area, I could only imagine the extent of the environmental destruction of this pristine area,” says Grunenwald. “I met Nonhle Mbuthuma, who is a leader in her community, on one of my trips there. When I found out her arch enemy in favour of the developments was her own cousin and that the South African Government had dethroned her environmentally-conscious King Mpondombini Sigcau, it felt like something out of Shakespeare. I had to make a film about it.
“In the early stages of filming I was only aware of how the titanium mine and highway threatened whatever was in their pathway.
“However spending time with Madiba definitely made me see things from a broader perspective. He pointed out things that I couldn’t deny: the Wild Coast’s dire need for more schools, hospitals and employment. He believed large-scale development is the only hope for change.
“On the other hand Nonhle wanted development that would last longer than the 25-year lifespan of the mine. She believed alternative development such as expansive eco-tourism could develop the area without their having to give up their land and livelihood.
“Throughout production I kept changing my mind as to who was more ‘right’ about the development of the Wild Coast. The complexity intrigued me and I wanted to allow the audience to see things from both sides.”
“We hope The Shore Break will be seen by a wide audience — not only to entertain but to raise awareness of what’s going on and to stimulate debate about the development of our most picturesque coastline.”

Exquisitely filmed with arresting cinematography, The Shore Break is edited by Kerryn Assaizky, with original traditional cross-over music by local musician Ntombe Thongo, and sand animation by award-winning animator Justine Puren-Calverley.

Nonhle Mbuthuma.

Nonhle Mbuthuma.

International film experts heading to Durban Filmmart

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PRODUIRE au Sud of Festival des 3 Continents, in Nantes, France, and the French Embassy in South Africa have partnered with Africa’s premier film finance and co-production forum, the Durban FilmMart (DFM), which takes place during the 36th Durban International Film Festival from July 16 to 26.
This is the third year that this prestigious film developmental programme has partnered with the DFM, a film industry development initiative funded by the City of Durban and founded by the Durban Film Office and the Durban International Film Festival.
Produire au Sud, focuses on developing film co-productions, and supports potentially talented producers with techniques to develop their skills in line with international trends and standards.
The FilmMart, now in it’s sixth year, includes a finance forum, master classes and Africa in Focus — a programme of workshops, and also offers a series of networking and social sessions with like-minded industry representatives.
For this year’s DFM, Produire au Sud and the French Embassy, SA, will be bringing in three leading international experts, Italy-based documentary director/producer Stefano Tealdi, Cannes-born script-writer expert Sari Turgeman and France-based strategy and development consultant Dominique Welinski.
They will mentor 19 selected film projects in the finance forum and conduct masterclasses for all delegates.
“One of our key objectives is to provide a platform for African filmmakers to promote their stories ,” explains Toni Monty of the Durban Film Office. “Over the years we have recognised story development as a key area requiring the most support. So we continue to focus on this area in an endeavour to support the promotion of our continent’s narratives.”
Says Produire au Sud’s head Guillaume Mainguet: “We have similar objectives, although we are on two different continents.
“Our programme is set within the Festival des 3 Continents which features films from Africa, Latin America and Asia, and it is with this interest in this relationship with the DFM that we are able to support the development of film in Africa.
“Working together we are able to identify and guide projects that have potential to be developed and strengthened through the finance forum programme, as well as provide valuable practical insights through the masterclasses to delegates.
“We will also award one project an opportunity to go to the festival in France and work among others, with internationally experience script experts in a week-long programme in our Produire au Sud (PAS) workshop.”
A number of projects have, over the past two years been awarded an opportunity to participate in the Produire au Sud (PAS) Script Studio through this partnership.
In 2013, the award was given to The Bill directed by Nosipho Dumisa, (co-produced by Travis Taute and Junaid Ahmed) and Whiplash, directed by Meg Rickards (and produced by Jacky Lourens).
As part of the France South Africa Seasons that year, Hhola, Hhola directed by Madoda Ncayiyana (and produced by Julie Frederikse) was also selected.
Last year, it went to Hawa Hawaii, directed by Amirah Tajdin and produced by Wafa Mohamed Tajdin, Bongiwe Selane, Helena Spring and Junaid Ahmed, and Mrs Popplestone, directed by Sarah Ping Nie Jones and produced by Jean Meeran.
• For more information about the DFM and to register as a delegate visit http://www.durbanfilmmart.com