Durban saxman, Hayane, is playing three gigs in KZN

Popular Durban saxophonist, Khaya “Hayane” Dlamini, is doing a three gig tour of KwaZulu-Natal, visiting the lower South Coast and Umlazi over month-end.

Hayane has shared stages with the best of the world. His Afro-Jazz grooves invite the listener into the rhythm of quality sound and jazz enthusiasts will remember him as the funky sax player from Sankomota, Sarafina 2, and the touring production of Isikhulu. He was also part of the Durban outfit Just Friends.

Hayane’s song Utshwala was nominated for a South African Music Award in the Afro category.

Catch Khaya and his trio at Mhawu High School, Engonyameni, Umbumbulu at 12 noon on June 25. Admission is free.

On June 26 he will be at Esayidi College on the KZN South Coast at 2 pm. Tickets R30 (R15 concessions).

And on June 28, fans can catch him at Lacoste Lounge, E 1137 Ntombela Road, Kwa-Mashu at 3 pm. Tickets R30 (R15 concessions) at the door.

Hayane is playing three gigs in KZN.

Hayane is playing three gigs in KZN.

NEED TO KNOW

Concerts SA is a joint South African/Norwegian project housed under the auspices of the Stakeholder Hub within The SAMRO Foundation; it receives financial, administrative and technical support from the Norwegian Ministry of Foreign Affairs, SAMRO and Concerts Norway.

By engaging with musicians, promoters, venue owners and audiences, the project aims to stimulate live music in South Africa by finding and implementing ways to create regular, sustainable performance platforms.

Concerts SA also aims to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools.

For more information please visit website http://concertssa.co.za, follow us on Twitter at http://twitter.com/ConcertsSA or like us on Facebook at www.facebook.com/ConcertsSA.

Gangs of Ballet to rock new material at the Barnyard

Award-winning, Durban-based band Gangs Of Ballet will be performing material off their yet-to-be-released new album, along with their hits, at The Barnyard Theatre at Gateway in Umhlanga on Friday, June 26.

The five times South African Music Award-nominated and MTV Africa Music Award (MAMA) winning band comprises of three musicians and friends – Brad Klynsmith (vocals / electric guitar), Jonathan Rich (keyboard / synth), and Josh Klynsmith (drums / vocals). Each accomplished musicians in their own right, the band’s members have combined their various individual tastes and styles to create a sound that is captivatingly fresh.

Their debut single, Breaking The Silence, was released in September 2011 and by early November it had entered into the 5FM Top 40 chart. The single thereafter continued to climb its way up the chart and after just ten weeks on the chart, Breaking The Silence entered the New Year at seventh place and secured a spot on 5FM’s list of the Top 100 Hottest Hits of 2011.

Gangs Of Ballet released their debut self-titled EP in March 2012.  This Love followed as second single to hit the airwaves. It reached number seven on the 5FM Top 40 chart. The band was asked to open for Switchfoot at the Johannesburg leg of their South African tour in August 2012, and was chosen as the direct support for Civil Twilight on their nationwide SA tour in December 2012.

The third single, Hello Sweet World, was received with critical acclaim from fans and music critics alike. It was play listed nationwide on national, regional and campus radio stations and reached number one on the 5FM Top 40 chart, as well as the Top 10 of Highveld Stereo’s Top 40. Hello Sweet World went on to become the theme song VH1 USA’s hit TV series – Rehab with Dr Dre. The music video for the single was subsequently play listed on VH1 and went on to receive a SAMA nomination in 2013 for Best Music Video.  Gangs Of Ballet also won the MK Award 2013 for Best Newcomer.

Gangs Of Ballet released the first single from yes/no/grey in July 2013. Daydream had its first exclusive play in 5FM whilst the video premiered on MTV’s The New Sh*t show. The music video for Daydream followed suit and was released at the end of July.

In August 2013, the band released yes/no/grey, through Universal Music South Africa. Within 12 hours of its release, the album was number one on the iTunes Top 10 SA Album Charts. It was also nominated for a MK Award 2014 for Best Album. Gangs Of Ballet released the second single, Don’t Let Me Go, in October 2013 and its music video in December.  The single reached number two on 5FM’s Top 40, number one on the MTV ZA charts, and the Top 10 on all major stations across the country.  Their next single and its fan-made music video, House and Money, was released in April 2014 – the song reached the Top 5 on 5FM, Highveld / KFM and AlgoaFM.

In June 2014, Gangs Of Ballet won the MTV MAMA Award for Best Alternative for yes/no/grey.  In October 2014, the band released a brand new single, Love Is On Its Way.

Bassist Hardus de Beer left the band earlier this year to focus on his career as a chiropractor, and the now three-piece band is currently working on their new album.

Tickets are R130 at 031 566 3045 or visit www.barnyard.durban.

Gangs of Ballet are performing at the Barnyard Theatre at Gateway in Umhlanga.

Gangs of Ballet are performing at the Barnyard Theatre at Gateway in Umhlanga.

Jazz music on a Sunday after sunset

Every last Sunday of the month, Soweto Theatre brings you exciting and exclusive jazz sounds from the country’s top musicians to our stage.

On Sunday, June 28 Standard Bank`s young artist of the year for jazz winner, Nduduzo Makhathini and the extraordinary Thebe Lepere take their turn. Bra Thebe is an innovative experimenter and a master percussionist who has toured the world with renowned musicians, such as Louis Moholo and Loose Tubes to mention just a few.

Most of the concert will be mostly improvised, with a couple of themes from Makhathini’s bag, the idea is to tell the untold stories of Africa, its culture and its people through sound. “To do this we couldn’t pass the opportunity to invite these two musicians, Nduduzo Makhathini and Thebe Lepere to be on stage together,” said Khosi Hlatshwayo, community and audience development manager at Soweto Theatre.

Sun Jazz at the theatre sessions are designed to bridge the gap between non-established bands and student musicians with established musicians well on their way to becoming the next generation of musical legends. A relationship helping to preserve the craft. In addition to that audiences are awarded the opportunity to sponsor a child, contributing to the growth of the music tutorial programme.

Performances times: 6 pm for 6.30 pm. Tickets R100 at the box office. For bookings and more information, please contact box office 011 930 7461/2/3 or visit www.sowetotheatre.com

Top young SA musicians debut at Nederburg

On Sunday, June 28, two of South Africa’s most talented young musicians will open the popular Nederburg Concert Series in Paarl.

To celebrate Youth Month, the series starts with the annual Nederburg Debut Concert and will feature multi award-winning violinist Jeffrey Armstrong and pianist Sulayman Human. These two prodigious talents have already been heard on most leading concert platforms in South Africa and they have won nearly all available awards and prizes in national and regional competitions, collectively.

Their programme will include virtuoso works written for violin and piano with the Sonata for violin and piano Nr 1 in D major by Ludwig van Beethoven and Sonata for violin and piano Nr 1 in G major by Johannes Brahms as the two main works of the recital. Other compositions include Fritz Kreisler’s famous Prelude and Allegro, the second movement from Edvard Grieg’s melodious Sonata for violin and piano Nr 3 in C minor, as well as three captivating Preludes by Sergei Rachmaninoff for solo piano.

Armstrong, 18, hails from Wellington and has been playing violin from the age of four. He finished school in 2014 and will be leaving for England later this year to further his academic studies at the Birmingham University. There he will study violin with Pieter Schoeman, the highly accomplished South African violinist who is the leader of the London Philharmonic Orchestra.

Human, 21, completed a B.Mus degree at the University of Stellenbosch in 2014 and is currently enrolled for his Masters degree in Piano Performance. He grew up in Oudtshoorn and only started playing the piano at the age of 12. His natural flair for piano playing combined with an extraordinary talent has already seen him achieve significant success in a very short period of time.

The concert starts at 5 pm and tickets at R220 per person which includes sherry on arrival, Nederburg Brut during interval, plus top Nederburg wines which will be served with a delicious finger supper after the concert. Bookings can be made via email on concerts@distell.co.za or by calling 021 809 8412/8106 during office hours.

Nongogo shines in Canada

Athol Fugard’s vibrant play Nongogo, directed by the Market Theatre’s award winning Artistic Director, James Ngcobo is in the running for a prestigious award in Canada.

The play has been nominated in the 36th Annual Dora Mavor Moore Awards, organised by the Toronto Alliance for the Performing Arts. The winners will be announced on Monday, June 22, with Nongogo nominated in the category of outstanding touring production after wowing audiences in at the Canadian Stage in Toronto earlier this year.

The powerful Fugard play is set in a township shebeen in the turbulent 1950s. The shebeen queen falls for a travelling salesman who works past her protective shell, and past the protection of her burly bouncer, to lure her into sharing long-buried secrets. The Market Theatre production pulsed with the raw power of the setting and tension in the lives of the characters, all dreaming of a better life.

Nongogo played in Toronto under a project run by the National Arts Council of South Africa (NAC) and the Canadian Stage in Toronto. It featured acclaimed actor Desmond Dube, who earned a Naledi Award as the best supporting actor for his performance. Sharing the limelight were Hamilton Dhlamini, Nat Ramabulana, Masasa Mbangeni and Pakamisa Zwedala.

The Dora Mavor Moore Awards were launched in 1978 to recognise outstanding achievements in Toronto theatre. They span 48 categories with the winners chosen by a jury of professionals from the performing arts community.

“It is such an honour for us to receive this nomination, having presented Nongogo at the Canadian Stage. This recognition reminds us that we are on the right track and that the world is open to engaging with our stories, and continues to support and appreciate the work of the Market Theatre. Thank you to Canadian Stage and the NAC for enabling this presentation to happen,’’ said Annabell Lebethe, Market Theatre CEO.

Africa in All her Glory at Iziko

The winners of the Nature’s Best Photography (NBP) Africa competition will be announced at a gala awards ceremony at the Iziko South African Museum (ISAM) in Cape Town on June 23.

The winning entries will then be showcased as part of an exhibition entitled: Nature’s Best Photography Africa, on public display from June 24 until September 16. There will be 70 photographs on show in the exhibition which captures the splendour of Africa with a single shutter of the camera lens. Nature and photographic enthusiasts should not to miss this spectacular showcase.

Organised by NBP Africa, in partnership with Iziko Museums of South Africa, NBP USA, and Nikon South Africa, the competition was launched on April 2 and ran until May 2. Photographers from all over the world were invited to enter the competition by submitting photographs taken on their travels in Africa.

“Showcasing the majesty and splendour of Africa through these (art) works, evokes a sense of enthralment, respect and concern – not only for our continent, but for our planet,” said Hamish Robertson, Director of Natural History, Iziko Museums of South Africa. “The preservation of our natural resources is not an activity we can or should leave for future generations. Museums have an important role in educating, creating awareness, and providing solutions-based platforms of public engagement. It is acutely apt, on the eve of its 190th year of existence, to host this phenomenal photographic exhibition at the oldest Natural History Museum in Southern Africa.”

The 12 winning categories are: African Landscapes, African Culture, Wild Cats of Africa, Birds of Africa, Mammals of Africa, Reptiles of Africa, Africa Underwater, Africa Up Close, Africa Wildlife Story, Youth Award Under 13 Years, Youth Award 13 – 18 years, and Video.

“The judging panel was very impressed by the quality of many of the entries and it was not easy to select the winners to represent the 12 categories,” said Lou Coetzer, the head adjudicator.

Adult category winners will be awarded prizes in the form of specialist photographic safaris to the combined value of R1 million. The awards, sponsored by Coetzer Nature Photography Safaris and the &Beyond Group, will take the winners to the Masai Mara in Kenya or to the Serengeti in Tanzania for an unforgettable experience in Africa’s finest wildlife environs. Winners in the youth categories will receive world-class accommodation at the luxurious Thulani Lodge in Hoedspruit, sponsored by A Spring of Hope and Coetzer Nature Photography.

Iziko Museums of South Africa has partnered with Natures Best Photography Africa and will host the annual competition, gala awards and exhibition. The winning photographs from NBP Africa will be showcased as part of the African category in the Natures Best Photography USA exhibition, hosted annually at the Smithsonian National Museum of Natural History.

“Our core objectives are to encourage photographic excellence amongst existing photographers, to attract new audiences to photography, to foster an appreciation for and conservation of our natural resources and to promote the continent of Africa to a massive global audience,” says Craig Mark, director of NBPAfrica.

Lou Coetzer will be conducting a walkabout on June 24 at 10 am and will share his insight on the judging criteria, and the reasons for the selection of these particular images. The walkabout is free-of-charge and open to the public.

To find out more about Natures Best Photography Africa, or to order the catalogue visit the website http://www.naturesbestphotographyafrica.com or email info@naturesbestphotographyafrica.com

Flemish productions to be staged in Africa

The Dog Days are Over and Another Great Year For Fishing are to be staged at the National Arts Festival.

Two celebrated Flemish productions will have their African premiere at the National Arts Festival in Grahamstown. This showcase of Flemish culture and talent is brought to South African audiences thanks to the Government of Flanders and the Flemish-Dutch House deBuren.

“We are proud to bring two incredibly talented artists to South Africa’s premier celebration of creative and artistic talent,” says Dr Geraldine Reymenants, General Representative of the Government of Flanders in South Africa.

Acclaimed choreographer Jan Martens is bringing his production The Dog Days are Over to the festival and producer Tom Struyf will be staging Another Great Year for Fishing.

Jan Martens, born in Belgium in 1984, studied at the Fontys dance academy in Tilburg (Netherlands) and graduated at the Artesis Conservatory for Dance in Antwerp (Belgium) in 2006. In 2009 he began developing his own choreographic works and quickly received critical and popular acclaim. The high energy dance productions grew in popularity and were initially performed mainly in the Netherlands and Belgium before spreading quickly around Europe.

He debuted formally as a choreographer in 2010 with the highly praised i can ride a horse whilst juggling so marry me, a work focusing on a group of women living in a world dominated by social networks.

In 2011 he created two ‘love duets’, both investigating the clichéd portrayal of a male-female relationship: a small guide on how to treat your lifetime companion and sweat baby sweat. The first one was selected for Aerowaves, a European network supporting young choreographers. The work has been performed more than 80 times

The Dog Days Are Over, to be performed at the National Arts Festival on 9 and 10 July, centres on the idea that when a person is asked to jump, they lose focus on the façade they project and the real person behind the mask is exposed.

In the performance Martens forces his audience to reflect on contemporary dance, culture policy, the difference between art and entertainment, as well as why they would want to witness an intensity that is not revealed in daily life.

“The show attempts to put its audience in a trance, yet simultaneously create the aesthetic distance necessary to question why they are in the theatre right at that moment,” says Martens.

All Martens’ works explore the possibility of a perfect balance and symbiosis between story-telling and conceptualism. He does not try to create a new movement language, but instead moulds and recycles existing idioms and places them in a different setting, so a new idea emerges. He maintains that, in his work, the beauty of the incomplete human being is revealed over complex choreography or physical virtuosity.

Tom Struyf was born in 1983, and graduated in 2007 as an actor at the Maastricht Theatre Academy (Netherlands).

His work has won him acclaim and seen him perform at many of the great theatres in Belgium and the Netherlands. His performances The Tatiana Aarons Experience and Act to forget were selected by the jury of the Flemish-Dutch Theatre Festival for Circuit X.

Another Great Year for Fishing, staged at the National Arts Festival on 11 and 12 July, is a performance about the power of stories and images, mass communication and indoctrination. “It’s a play about the question of how to lead a normal life in an ever-changing society and thus constantly requiring a great deal of adoption power. But the show must go on,” says Struyf.

During the show Struyf and dancer Nelle Hens are looking for the fire exit. With the help of a wide range of spin doctors, psychiatrists, journalists, and philosophers they try to unravel what happens in the backrooms of the rat race.

Both Jan Martens and Tom Struyf have recently been acknowledged for their major contribution to the arts. On 2 July, Martens will be awarded the 2015 Charlotte Köhler Prize – a prize that aims to encourage and develop young talent – by the Netherlands’ Prins Bernhard Cultuurfonds. In May, Stuyf’s Another Great Year for Fishing was also selected for the Berlin 2015 Theatertreffen Stückemarkt – a festival of discovery for young European theatre makers who develop a new theatrical language.

“We are delighted to bring something new to festival goers, and we invite them to explore all forms of art while they are at the festival, such as this mini-Flemish season when it debuts in Africa,” says Ismail Mahomed, Artistic Director of the National Arts Festival. “We are really very proud to bring this standard of performing arts to South Africa.”

Flanders is the Dutch-speaking autonomous region in the north of Belgium, with Brussels as it is capital. The General Representation of the Government of Flanders in Southern Africa is committed to showcasing the diversity and innovative creativity of Flemish arts and culture.

View video clips of the productions here: www.tomstruyf.be and www.janmartens.com

Fantastic family theatre at National Arts Festival

The ASSITEJ Family Fare Platform returns to the National Arts Festival for a 4th consecutive year to promote rich and diverse theatre for young audiences and their families.

Since its inception, ASSITEJ Family Fare has provided a unique platform dedicated entirely to the needs of families experiencing the festival. The venues provide theatre which caters to the whole family, while Oatlands Prep, where the ASSITEJ Family Fare Platform has its base, specifically provides interactive, creative and stimulating Family Fare activities run by artists and ASSITEJ staff. ASSITEJ has built relationships within the Grahamstown family community, with local families returning each year. Denese Palm, a local mom and entrepreneur, has for the last three years provided wholesome and nutritious catering for audiences visiting the Oatlands venue.

The Family Fare Platform has successfully gained recognition within the framework of the National Arts Festival. Of the handful of prestigious Silver Ovation Awards issued at National Arts Festival since 2012, the ASSITEJ Family Fare programme has already been awarded two: the first for Jori Snell’s critically acclaimed “Kitchen Fables in a Cookie Jar” in 2012 and the second to international ASSITEJ theatre company, Batida from Denmark, whose production “A Man Called Rolex” heralded in a new category of award for Family Fare in 2014. Many other productions on the platform have been awarded Ovation awards in recognition of their quality.

The ASSITEJ Family Fare Platform has now extended across the festival, with performances at Oatlands Prep, Memory Hall, Glennie and Centenary Halls. 2015 presents a rich diversity of 14 productions – entertaining, thought provoking and engaging – giving families the opportunity of “growing up and growing together through theatre”.

On the Main Programme, two international collaborations are featured – “Red Earth Revisited” and “True Confusion”:

  • ‘Red Earth Revisited’ by Speelteater Holland and ASSITEJ SA is a re-imagining of the events around the Xhosa prophetess Nongqawuse, seen through the eyes of a migrant stork, and will follow its appearance on the National Arts Festival Main Programme with a tour of the Eastern Cape. The production stars local actors Macebo Mavuso, Thami Mbongo and Roshina Ratnam as well as a chorus of South African and Netherlands-based artists, and uses puppetry, movement and song in vibrant and interesting ways.
  • True Confusion’ by ZeBu (Denmark), aimed at ages 8 to 13, is a physical interpretation of the situation where children find themselves paradoxically accepting their reality while bombarding it with hundreds of questions. It is playful, challenging and interactive. This dance production has toured extensively internationally and is now on South African soil for the first time.

The theme of Dance for Young Audiences is continued with an exciting local productions

  • ‘Once upon a Fire’ by Briony Horwitz, co-directed by Nkosinathi Gaar and choreographed by David Matamela (South African “So You Think You Can Dance” Judge), is aimed at audiences aged 5 – 11. ‘Once Upon a Fire’ revives the ancient art of story-telling, celebrated in dance and punctuated by enchanting shadow puppetry. This production is the very first dance for young audiences production created under ASSITEJ South Africa mentorship, through the director’s involvement in the Inspiring a Generation programme, which gives emerging South African artists opportunities for international collaboration and exchange in order to develop their craft.

There are also a number of performances which address issues like social injustice, crimes against humanity, disability and inclusivity in exciting and challenging ways, providing the opportunity for starting conversations with young people around important issues:

  • The Orphan of Gaza’ by Eliot Moleba performed by Nidaa Hussein and Megan van Wyk, tells the story of a young girl in Gaza. After a rocket attack, she is told that her parents have gone to a better place. Armed with a makeshift aircraft, helmet, GPS and a cockpit full of courage, she and her pet, plot a journey to search for them.
  • ‘Warrior on Wheels’ presented by the Chaeli Campaign, directed by Jayne Batzofin. The Chaeli Campaign is one of the few local Non-Profit Organisation’s which has been founded by children who are active members of the Management Committee. “Warrior on Wheels”, based on Deidre Gower’s book, aims to engage and enliven the imagination and encourage a more accepting society, especially for those with disabilities. This production was specifically created for children aged 7 – 15.
  • ‘Mirrored Flaws’ by Thando Baliso, tells the story of three teenagers embroiled in social ills. This production aimed at teenagers is told through movement, spoken word and dance.
  • ‘The Rise and Fall’ presented by Sisonke Art Productions, directed by Herbert Mokoena, (Winner of the 2014 SANCTA Awards, nominated for 8 SANCTA Awards) was developed through the ASSITEJ South Africa’s mentorship programme. ‘At age 13 Sarah is kidnapped by Ugandan rebels and forced to become a soldier in the Lord’s Resistance Army. Four years later, with General on the run, Sarah attempts to returning to her childhood village, nervous about the reception she will receive after her role in terrorizing her own people’.

Clowning for Young Audiences:

  • ‘Double the Fun’ – with decades of experience, veteran Durban clown Adi Paxton returns with ‘Double The Fun’, a production made up of magic, clowning and puppetry for ages 3 and up.

Visual Theatre for Young Audiences:

  • ‘Making Mandela’ – written by Nick Warren and Jenine Collocott, directed by Jenine Collocott “Soars with clean narrative lines, superb physical theatre, humour and pathos … it will wow not only festival goers, but the world.” – Robyn Sassen, The Arts at Large. An imaginative journey through the childhood of Nelson Mandela featuring colourful characters, vividly portrayed in beautiful masks, with physical performances supported by emotive sound design and theatrical styling. This is the story of what influenced the rural boy to become the global legend.
  • ‘Florence and Watson’ written and directed by Rob van Vuuren and Dani Bischoff (married): Says Rob van Vuuren ‘We wanted to put together a show that our own daughter would love. So we’ve created a magical mountain full of fairies, dragons, giants and talking animals and found the best most versatile actors and musicians we could with Fleur du Cap Award Winner Dean Balie (Kat and the Kings, Blood Brothers, Orpheus in Africa) and Fleur Du Cap and Standard Bank Ovation Award Winner Sne Dladla (Fergus of Galloway, Betty and the Yeti, Orpheus in Africa) to infuse it with great comedy, awesome music and beautiful performances’.
  • One of Mail and Guardian’s Top 200 Young South Africans in 2013, Rhodes graduate Richard Antrobus of Oddbody Theatre returns to the Festival with his highly successful mime comedy solo: ‘Being Norm’ ideal for anyone 10 and over.
  • ‘Lake’ directed by Daniel Buckland, performed by Ryan Dittman and Jaques de Silva –returning to Festival of the second time; ‘Lake’ is a delight for the whole family, and addresses issues human issues friendship and societal issues around water conservation through warm, funny physical theatre, clowning and puppetry.
  • ‘The Incredible Journey’ directed by Tara Notcutt performed by Nhlanhla Mkhwanazi, Stefan Erasmus and Luke Brown. ‘The Incredible Journey’ was invited to and premiered at the Perth International Fringe Festival in 2015. ‘Once upon a time, a boy named Tommy who lived an unadventurous life was presented by a challenge from the new kid at school – join us on an adventure of the imagination and magic: Come see Tommy’s journey to becoming a hero.’

Music for Young Audiences:

  • The Keiskamma Academy presents “Indalo” directed by Mojalefa Mokanya, which is performed by a 22 piece orchestra band and 10 storytellers. The story is set in the Eastern Cape unpacking the deep and magical relationship between animals and the amaXhosa, and weaves together different strands of artistic expression: music, storytelling, physical performance and visual art.

For more information visit www.assitej.org.za or visit www.nationalartsfestival.co.za for bookings.

African Artists unite at National Arts Festival

Questions around African identity and belonging are woven into this year’s programme for the National Arts Festival, with continental representation from countries such as Botswana, Malawi and Zimbabwe.

This year’s celebration of Africa Day takes on special significance in South Africa, where a recent upsurge in xenophobic violence has affected the country’s relationship with its neighbours and friends across the continent.

As South African struggle veteran Ahmed Kathrada said at Nelson Mandela’s funeral in Qunu in the Transkei, ‘Xenophobia, racism and sexism must be fought with tenacity, wisdom and enlightenment. Anything that defines someone else as “the other” has to go. Tolerance and understanding must flourish and grow.’

And it is these bridge-building questions of identity, belonging and what it means to be African that artists from around the continent will bring to the stage during this year’s National Arts Festival, which runs from 2 to 12 July in Grahamstown.

Issues of reconciliation and forgiveness are at the heart of the remarkable one-women show, ‘Miracle in Rwanda’. Co-created and acted by Leslie Lewis Sword, it tells the story of Rwandan genocide survivor Immaculé Ilibagiza, a 22-year-old Tutsi who hid with seven other women in the bathroom of a local Hutu pastor’s home.

Despite the tragedy and horror, Ilibagiza’s life remains one of personal empowerment and of finding peace of mind despite unbelievable hardship. “It’s completely revolutionary to go through a genocide and forgive the people who massacred your family,” Lewis has said of Ilibagiza, who now lives in New York City. “It’s a quiet revolution.”

Zimbabwean identity will be explored through dance, movement and space by Tumbuka, who will present ‘Portrait of Myself as my Father’, an interrogation into masculinity, performance and the ‘Zimbabwean self.

But it is in music where Africans seem to most easily find common ground. Madagascar’s Eusèbe Jaojoby brings his country’s unique salegy sound to the Grahamstown stage. The singer – dubbed the King of Salegy – is known for his willingness to experiment, blending the Malagasy genre with soul, rock, funk and other Western musical styles.

Watch Eusèbe Jaojoby on tour in New York in 2012: https://youtu.be/02lXAjnhkk8

Also mixing it up will be Botswana’s Chasing Jaykb. Trans vocalist Kat Kai Kol-Kes heads up this funky post-folk African pop group, who will be performing in South Africa for the first time.

Listen to Chasing Jaykb sing ‘My Body’ here: https://soundcloud.com/afropop-worldwide/kat-kai-kol-kes-and-chasing-jakyb-my-body

Malawi will be represented by Masauko Chipembere, whom South Africans will recall as a member of the 1990’s acoustic duo Blk Sonshine.

Watch Masauko Chipembere perform ‘Soul Smile’: youtu.be/MG-9zn6WRuU

More traditional African music will be celebrated when Rhodes University’s International Library of African Music (ILAM) marks its 60th anniversary with ‘Celebrating African Music’. Expect fascinating music performed on a wide range of traditional and contemporary instruments, accompanied by spectacular dance by local groups. Prof Emeritus Andrew Tracey, ILAM’s retired director, will make a special appearance.

The Standard Bank Jazz programme expertly creates the space for some of Africa’s top musicians to collaborate with their South African counterparts. Playing with Dave Reynolds and Pops Mohamed are Sylvain Baloubeta (bass – Congo), Frank Paco (drums – Mozambique). Also in the line-up are Zimbabwe’s Oliver Mtukudzi, Benin-native guitarist and vocalist Lionel Loueke, Botswanan-born Bokani Dyer and Nigerian guitarist Kunle Ayo.

Watch Lionel Loueke perform Nonvignon: youtu.be/vYeno9Y1G1Q

Challenging transnational collaborations are on the Festival’s Film programme too: ‘The Gods of Water (Los Dioses de Agua)’ is the first-ever Angolan-Argentinian co-production. Directed by Pablo César, the film tells the story of an Argentinian anthropologist who travels to Africa to understand the origins of the secrets held by the Dogon, a Malian tribe.

Watch the trailer for The Gods of Water: youtu.be/PtCV36u9qFg

And, as always with film, it’s just a small skip from there to murder and mayhem in a Nigerian jungle with ‘Bleeding Rose’. Director Chucks Mordi’s film about a group of botany students searching for a healing plant in an evil forest, offers South African audiences the chance to see the kind of film wildly popular in the West African country. It won Best Feature Film at the 2007 International Film Festival in Lagos.

‘Miracle in Rwanda’ is at the Hangar on 4 July at 4pm, 5 July at 10am and 7.30pm, 6 July at 5pm and 9.30pm. Book here: www.nationalartsfestival.co.za/events/miracle-in-rwanda/

Tumbuka performs ‘Portrait of Myself as My Father’ at Alec Mullins on 3 July at 12 noon and 4pm, and on 4 July at 12 noon and 8pm. Book here: www.nationalartsfestival.co.za/events/portrait-of-myself-as-my-father/

Eusèbe Jaojoby at the Transnet Great Hall on 7 July at 8pm and at Fingo Square on 8 July at 2pm. Book here: www.nationalartsfestival.co.za/events/jaojoby-king-of-salegy/

Chasing Jaykb at The Vic on 6 July at 10pm, 8 July at 8pm, 9 July at 9pm and 11 July at 6pm. Book here: www.nationalartsfestival.co.za/events/chasing-jaykb/

Masauko Chipembere of Blk Sonshine at The Vic on 3 July at 7pm, 5 July at 10pm, 6 July at 8pm and 7 July at 10pm. Book here: www.nationalartsfestival.co.za/events/masauko-chipembere-of-blk-sonshine/

‘Celebrating African Music – A 60th Anniversary Concert’ is at the Transnet Great Hall on 4 July at 8pm. Book here: www.nationalartsfestival.co.za/events/celebrating-african-music/

Dave Reynolds and Pops Mohamed (with Sylvain Baloubeta and Frank Paco) at the DSG Hall on 7 and 8 July at 5pm. Book here: www.nationalartsfestival.co.za/events/dave-reynolds-pops-mohamed/

Oliver Mtukudzi performs at the DSG Hall on 10 July at 5pm and 11 July at 9pm. Book here: www.nationalartsfestival.co.za/events/oliver-mtukudzi/

Lionel Loueke in Concert with Concord Nkabinde (bass) at the DSG Hall on 3 July at 7.30pm.Book here: www.nationalartsfestival.co.za/events/lionel-loueke-in-concert/

Lionel Loueke in collaboration with Siya Makuzeni (vocals), Marcus Wyatt (trumpet), Shane Cooper (bass), Ayanda Sikade (drums) at the DSG Hall on 4 July at 10pm. Book here: www.nationalartsfestival.co.za/events/lionel-loueke-in-collaboration/

Bokani Dyer Quintet at the DSG Hall on 2 July at 5pm and 4 July at 5pm. Book here: www.nationalartsfestival.co.za/events/bokani-dyer-quintet/

Kunle Ayo at the DSG Hall on 11 July at 5pm. Book here: www.nationalartsfestival.co.za/events/kunle-ayo/

‘The Gods of Water’ will be screened at Oliver Schreiner Hall on 8 July at 7.30pm and on 9 July at 7.30pm. Book here: www.nationalartsfestival.co.za/events/the-gods-of-water-los-dioses-de-agua/

‘Bleeding Rose’ will be screened at Oliver Schreiner Hall on 10 July at 5pm. Book here: www.nationalartsfestival.co.za/events/bleeding-rose/

Bookings are open and can be made via the website: www.nationalartsfestival.co.za. Ticketing call centre: 0860 002 004

Pick up a Festival programme and booking kit from selected Standard Bank and Exclusive Books branches. The full programme is online at www.nationalartsfestival.co.za

KEEP IN TOUCH

National Arts Festival

Website: www.nationalartsfestival.co.za and www.youthjazz.co.za

Facebook: www.facebook.com/nationalartsfestival

Twitter: http://www.twitter.com/artsfestival

2015 Standard Bank Jazz Festival Burns With Spirit

2015 Standard Bank Young Artist for Jazz Nduduzo Makhathini.

2015 Standard Bank Young Artist for Jazz Nduduzo Makhathini.

This year’s Standard Bank Jazz Festival, Grahamstown as part of the National Arts Festival from Thursday, 2 July to Saturday, 11 July, will bring together the best of South African jazz today with some of the world’s most exhilarating contemporary jazz innovators.

The 2015 programme, which features more than 120 sought-after musicians, presents a solid mix of serious limit-shifting jazz as well as the freshest crossover sounds to appeal to music lovers across the spectrum.

Invited artists include the Stockholm Jazz Orchestra, Dutch saxophonist Yuri Honing, Austrian pianist David Helbock, US-based guitarist Lionel Loueke, Zimbabwe’s Oliver Mtukudzi, French drummer André Charlier, South Africans Kesivan Naidoo, Thandiswa Mazwai, Carlo Mombelli and Pops Mohammed, as well as Cape Town pop band Beatenburg and Joburg house band MiCasa. Ray Phiri will be in town for a one-night only solo gig.

“The Standard Bank Jazz Festival acts as a barometer of the South African jazz scene, reflecting our heritage as well as international trends, and opening up opportunities for networking and collaboration,” says Festival Director Alan Webster. “The festival is about acknowledging our roots as South Africans and inviting the world in. We’re not asking how to do it – but sharing experiences with musicians from all over the world to create something new.”

Webster, who has been responsible for putting the programme together since he took over as director in 2001, says the world’s musicians relish the opportunity to visit Grahamstown because of the festival’s high artistic credibility and aesthetic integrity. “It offers musicians 10 days to network, collaborate and learn from each other,” he says.

This collective improvisational energy will perhaps be best experienced this year in The Bjaerv Encounters and Kesivan & The Lights, which will see jazz superstar Kesivan Naidoo mixing it up with the Swedish musicians he met when he played the festival 10 years ago. “There’s no doubt that that experience was a key influence on what Kesivan has become,” says Webster. “It is Grahamstown that allowed that to happen – it’s the essence of what jazz is supposed to be.”

This year, Bokani Dyer, another former Standard Bank Young Artist Award winner, will share the stage with four Swiss musicians he met during his residency in Basel. The Bokani Dyer Quintet will merge the vitality of contemporary South African Jazz with Swiss precision and musicianship.

In Listening to the Ground, this year’s Standard Bank Young Artist award winner pianist and composer Nduduzo Makhathini will perform with fellow South Africans Feya Faku, Ayanda Sikade and Nomagugu Makhathini as well as Swedish saxophone player Karl-Martin Almqvist and bassist Martin Sjöstedt to pay homage to the musical legends who have built the great legacy of South African jazz.

The festival also incorporates the Standard Bank National Youth Jazz Festival, which exposes 350 of South Africa’s best young musicians to the best of jazz over six burning days spent with 50 teachers and 90 professional jazz musicians and educators in rehearsals, workshops, lectures and performances. The top jazz students in South Africa audition for places in the Standard Bank National Schools Big Band and the Standard Bank National Youth Jazz Band.

Need to know

Bookings can be made via the website: www.nationalartsfestival.co.za. Ticketing call centre: 0860 002 004

Pick up a Festival programme and booking kit from selected Standard Bank and Exclusive Books branches from the end of April. The full programme will be online from 30 April at www.nationalartsfestival.co.za.

KEEP IN TOUCH

Standard Bank Jazz Festival

Website: www.youthjazz.co.za

Facebook: www.facebook.com/youthjazz

National Arts Festival

Website: www.nationalartsfestival.co.za and www.youthjazz.co.za

Facebook: www.facebook.com/nationalartsfestival

Twitter: http://www.twitter.com/artsfestival